Petteri Salomaa, Schütz Choir of London, Sir Roger Norrington, Sarah Walker, London Classical Players, Yvonne Kenny & Patrick Power - Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (f) Allegro ma non tanto - Poco adagio
Petteri Salomaa, Schütz Choir of London, Sir Roger Norrington, Sarah Walker, London Classical Players, Yvonne Kenny & Patrick Power more songs
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Det sjungande tradet, Op. 110, Act II: Epilogue. Autumn wind whistles in the tree. Prince Hatt and the Princess, now in old-age, reflect on all that has happened [Prince Hatt, Princess]
Petteri Salomaa, Schütz Choir of London, Sir Roger Norrington, Sarah Walker, London Classical Players, Yvonne Kenny & Patrick Power
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Det sjungande tradet, Op. 110, Act II Scene 8: The Witch invites the court to the wedding to witness her power - The Witch's destruction [Witch, King, Prince Hatt, Princess]
Petteri Salomaa, Schütz Choir of London, Sir Roger Norrington, Sarah Walker, London Classical Players, Yvonne Kenny & Patrick Power
01:00
Det sjungande tradet, Op. 110, Act II Scene 6: The Princess, clothed in tatters, meets Prince Hatt, who recognises her voice [Prince Hatt, Princess]
Petteri Salomaa, Schütz Choir of London, Sir Roger Norrington, Sarah Walker, London Classical Players, Yvonne Kenny & Patrick Power
01:00
Det sjungande tradet, Op. 110, Act II Scene 3: The Witch's Lair. The Witch curses the name of the Princess to Prince Hatt, blaming her for betraying her lonely, confused and despairing son [Witch, Prince Hatt]
Petteri Salomaa, Schütz Choir of London, Sir Roger Norrington, Sarah Walker, London Classical Players, Yvonne Kenny & Patrick Power
01:00
Det sjungande tradet, Op. 110, Act I Scene 14: Prince Hatt's Lair. The Princess shines a light on the Prince's face while he is asleep [Princess, Prince Hatt, Witch]
Petteri Salomaa, Schütz Choir of London, Sir Roger Norrington, Sarah Walker, London Classical Players, Yvonne Kenny & Patrick Power
01:00
Det sjungande tradet, Op. 110, Act I Scene 11: Prince Hatt's Lair. The Princess gains the permission of the prince to go to meet her father [Prince Hatt, Princess, Princess 1, Princess 2, Witch]
Petteri Salomaa, Schütz Choir of London, Sir Roger Norrington, Sarah Walker, London Classical Players, Yvonne Kenny & Patrick Power
01:00
Det sjungande tradet, Op. 110, Act I Scene 8: Prince Hatt's underground lair [Prince Hatt, Princess, Witch]
Petteri Salomaa, Schütz Choir of London, Sir Roger Norrington, Sarah Walker, London Classical Players, Yvonne Kenny & Patrick Power
01:00
Det sjungande tradet, Op. 110, Act I Scene 3: Prince Hatt pleads with his mother to set him free [Prince Hatt, Witch]
Petteri Salomaa, Schütz Choir of London, Sir Roger Norrington, Sarah Walker, London Classical Players, Yvonne Kenny & Patrick Power
01:00
Det sjungande tradet, Op. 110: I. Prologue. The Tree of Life stands at the center, its roots encircling the Prince Hatt's lair, its crown reflecting all the wonder of life [Prince Hatt, Witch]
Petteri Salomaa, Schütz Choir of London, Sir Roger Norrington, Sarah Walker, London Classical Players, Yvonne Kenny & Patrick Power
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La Serva Padrona: Part I, Aria No. 3 Uberto, "Sempre in contrasti..."
Petteri Salomaa, Schütz Choir of London, Sir Roger Norrington, Sarah Walker, London Classical Players, Yvonne Kenny & Patrick Power
01:00
