Nancy Argenta, Peter Thorley, The London Classical Players, Sir Roger Norrington, London Classical Players, Felicitas Mander, Schütz Choir of London, Catherine Robbin & John Mark Ainsley - Mass No. 19 in D minor K626, 'Requiem' (completed by Duncan Druce): Sanctus
Nancy Argenta, Peter Thorley, The London Classical Players, Sir Roger Norrington, London Classical Players, Felicitas Mander, Schütz Choir of London, Catherine Robbin & John Mark Ainsley more songs
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Matthäus Passion, BWV 244, Pt. 2, Burial: II. Recitative (Soli) with Chorus I/II, Nun ist der Herr zur Ruh gebracht
Nancy Argenta, Peter Thorley, The London Classical Players, Sir Roger Norrington, London Classical Players, Felicitas Mander, Schütz Choir of London, Catherine Robbin & John Mark Ainsley
01:13
Matthäus Passion, BWV 244, Pt. 2, Burial: I. Recitative (Evangelist) I, Und Joseph nahm den Leib
Nancy Argenta, Peter Thorley, The London Classical Players, Sir Roger Norrington, London Classical Players, Felicitas Mander, Schütz Choir of London, Catherine Robbin & John Mark Ainsley
01:13
Matthäus Passion, BWV 244, Pt. 2, Descent from the Cross: I. Recitative (Evangelist) I, Und es waren viel Weiber da
Nancy Argenta, Peter Thorley, The London Classical Players, Sir Roger Norrington, London Classical Players, Felicitas Mander, Schütz Choir of London, Catherine Robbin & John Mark Ainsley
01:13
Matthäus Passion, BWV 244, Pt. 2, Crucifixion: VI. Recitative (Evangelist) I, Und siehe da, der Vorhang im Tempel zerriss
Nancy Argenta, Peter Thorley, The London Classical Players, Sir Roger Norrington, London Classical Players, Felicitas Mander, Schütz Choir of London, Catherine Robbin & John Mark Ainsley
01:13
Matthäus Passion, BWV 244, Pt. 2, Crucifixion: I. Recitative (Evangelist) I, Und da sie an die Stätte kamen mit Namen Golgatha
Nancy Argenta, Peter Thorley, The London Classical Players, Sir Roger Norrington, London Classical Players, Felicitas Mander, Schütz Choir of London, Catherine Robbin & John Mark Ainsley
01:13
Matthäus Passion, BWV 244, Pt. 2, Simon of Cyrene: III. Aria (Bass) I, Komm, süßes Kreuz, so will ich sagen
Nancy Argenta, Peter Thorley, The London Classical Players, Sir Roger Norrington, London Classical Players, Felicitas Mander, Schütz Choir of London, Catherine Robbin & John Mark Ainsley
01:13
Matthäus Passion, BWV 244, Pt. 2, Simon of Cyrene: II. Recitative (Bass) I, Ja freilich will in uns das Fleisch und Blut
Nancy Argenta, Peter Thorley, The London Classical Players, Sir Roger Norrington, London Classical Players, Felicitas Mander, Schütz Choir of London, Catherine Robbin & John Mark Ainsley
01:13
Matthäus Passion, BWV 244, Pt. 2, Simon of Cyrene: I. Recitative (Evangelist) I, Und da sie ihn verspottet hatten
Nancy Argenta, Peter Thorley, The London Classical Players, Sir Roger Norrington, London Classical Players, Felicitas Mander, Schütz Choir of London, Catherine Robbin & John Mark Ainsley
01:13
Matthäus Passion, BWV 244, Pt. 2, The Scourging of Jesus: IV. Chorale I/II, O Haupt voll Blut und Wunden
Nancy Argenta, Peter Thorley, The London Classical Players, Sir Roger Norrington, London Classical Players, Felicitas Mander, Schütz Choir of London, Catherine Robbin & John Mark Ainsley
01:13
Matthäus Passion, BWV 244, Pt. 2, The Scourging of Jesus: III. Recitative (Evangelist) I, Da nahmen die Kriegsknechte des Landpflegers
Nancy Argenta, Peter Thorley, The London Classical Players, Sir Roger Norrington, London Classical Players, Felicitas Mander, Schütz Choir of London, Catherine Robbin & John Mark Ainsley
01:13
