Boston Baroque, Martin Pearlman, João Fernandes & Owen McIntosh - Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 5. "Superbo e l'huom"
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III. Rondeau (feat. Christina Day Martinson & Martin Pearlman)
Boston Baroque, Martin Pearlman, João Fernandes & Owen McIntosh
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II. Adagio (feat. Christina Day Martinson & Martin Pearlman)
Boston Baroque, Martin Pearlman, João Fernandes & Owen McIntosh
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I. Allegro maestoso (feat. Christina Day Martinson & Martin Pearlman)
Boston Baroque, Martin Pearlman, João Fernandes & Owen McIntosh
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Passacaglia in G Minor for Solo Violin
Boston Baroque, Martin Pearlman, João Fernandes & Owen McIntosh
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Sonata XV in C Major ‘The Coronation of the Virgin’: Sonata – Aria with 3 doubles – Canzona – Sarabanda and double
Boston Baroque, Martin Pearlman, João Fernandes & Owen McIntosh
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Sonata XIV in D Major ‘The Assumption of the Virgin’: [Sonata] – Arias 1 and 2 – Gigue
Boston Baroque, Martin Pearlman, João Fernandes & Owen McIntosh
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Sonata XIII in D Minor ‘The Descent of the Holy Ghost’: Sonata – Gavotte – Gigue – Sarabanda
Boston Baroque, Martin Pearlman, João Fernandes & Owen McIntosh
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Sonata XII in C Major ‘The Ascension’: Intrada – Aria tubicinum – Allemanda – Courante and double
Boston Baroque, Martin Pearlman, João Fernandes & Owen McIntosh
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Sonata XI in G Major ‘The Resurrection’: Sonata – Hymn ‘Surrexit Christus hodie’ and Variations
Boston Baroque, Martin Pearlman, João Fernandes & Owen McIntosh
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Sonata X in G Minor ‘The Crucifixion’: Praeludium – Aria and 5 Variations
Boston Baroque, Martin Pearlman, João Fernandes & Owen McIntosh
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