Philipp von Steinaecker Song List
Memoirs: List of works: Several Anthems made for the Duke of Chandois
Richard Wistreich & Philipp von Steinaecker
Memoirs: Catalogue of the works, Overview and general remarks: In the followin Catalogue
Richard Wistreich & Philipp von Steinaecker
Memoirs: Catalogue of the works, Overview and general remarks: Catalogue of the works
Richard Wistreich & Philipp von Steinaecker
Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: So that this connection
Richard Wistreich & Philipp von Steinaecker
Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: It was thought better to leave the Reader
Richard Wistreich & Philipp von Steinaecker
Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: Had he hurt his health
Richard Wistreich & Philipp von Steinaecker
Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: He certainly paid more attention to it
Richard Wistreich & Philipp von Steinaecker
Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: Those, who have blamed him
Richard Wistreich & Philipp von Steinaecker
Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: This must appear the more surprising
Richard Wistreich & Philipp von Steinaecker
Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: In the year 1751
Richard Wistreich & Philipp von Steinaecker
Memoirs: Messiah for the Foundling Hospital, Death: The very successful application
Richard Wistreich & Philipp von Steinaecker
Memoirs: Messiah for the Foundling Hospital, Death: By these vast numbers of the nobility
Richard Wistreich & Philipp von Steinaecker
Memoirs: Messiah for the Foundling Hospital, Death: The Foundling Hospital originally rested
Richard Wistreich & Philipp von Steinaecker
Memoirs: In Dublin Messiah as benefit concert: But soon, ah soon, rebellion will commence
Richard Wistreich & Philipp von Steinaecker
Memoirs: In Dublin Messiah as benefit concert: There was a preculiar propriety
Richard Wistreich & Philipp von Steinaecker
Memoirs: In Dublin Messiah as benefit concert: Dublin has always been famous
Richard Wistreich & Philipp von Steinaecker
Memoirs: A turn of attention to Oratorio: But at this time his affairs
Richard Wistreich & Philipp von Steinaecker
Memoirs: A turn of attention to Oratorio: The distance of this theatre
Richard Wistreich & Philipp von Steinaecker
Memoirs: A turn of attention to Oratorio: Racine's Estehr and Athaliah
Richard Wistreich & Philipp von Steinaecker
Memoirs: A turn of attention to Oratorio: Would not action and gesticulation
Richard Wistreich & Philipp von Steinaecker
Memoirs: A turn of attention to Oratorio In times when narrow notions
Richard Wistreich & Philipp von Steinaecker
Memoirs: The Haymarket Theatre: But the very sacredness and solemnity
Richard Wistreich & Philipp von Steinaecker
Memoirs: The Haymarket Theatre: Esther was made originally for the Duke of Chandois
Richard Wistreich & Philipp von Steinaecker
Memoirs: The Haymarket Theatre: The sense of his abilities
Richard Wistreich & Philipp von Steinaecker
Memoirs: The Haymarket Theatre: He made two operas for his Lordship
Richard Wistreich & Philipp von Steinaecker
Memoirs: The Haymarket Theatre: Soon after his return to London in 1736
Richard Wistreich & Philipp von Steinaecker
Memoirs: Move to Covent Garden: The observation that misfortunes
Richard Wistreich & Philipp von Steinaecker
Memoirs: Move to Covent Garden: At the end of three or four years
Richard Wistreich & Philipp von Steinaecker
Memoirs: Move to Covent Garden: There were but few persons
Richard Wistreich & Philipp von Steinaecker
Memoirs: Move to Covent Garden: The opposition in which they were engaged
Richard Wistreich & Philipp von Steinaecker
Memoirs: Move to Covent Garden: He now removed to Conventgarden
Richard Wistreich & Philipp von Steinaecker
Symphony No. 9 in D Major: IVh. Adagio. Adagissimo
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IVg. Adagio. Tempo I, molto adagio
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IVf. Adagio. Fliessender, doch durchaus nicht eilend
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IVe. Adagio. Stets sehr gehalten
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IVd. Adagio. A tempo, molto adagio
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IVc. Adagio. Molto adagio subito
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IVb. Adagio. Plötzlich wieder langsam (wie zu Anfang) und etwas zögernd
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IVa. Adagio. Sehr langsam und noch zurückhaltend
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IIIg. Rondo Burleske. Tempo I, subito
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IIIf. Rondo Burleske (Clarinets)
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IIIe. Rondo Burleske. Etwas gehalten
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IIId. Rondo Burleske. L’istesso tempo (II)
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IIIc. Rondo Burleske. Sempre l’istesso tempo
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IIIb. Rondo Burleske. L’istesso tempo (I)
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IIIa. Rondo Burleske. Allegro assai, sehr trotzig
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IIg. Ländler. Tempo I. Subito
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IIf. Ländler. Tempo II
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IIe. Ländler. Tempo I, wie zu Anfang
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IId. Ländler. A tempo II
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IIc. Ländler. Tempo III, ländler, ganz langsam
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IIb. Ländler. Poco piu mosso subito
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: IIa. Ländler. Im Tempo eines gemächlichen Ländlers, etwas täppisch und sehr derb
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: Ih. Andante comodo. Plötzlich bedeutend langsamer und leise
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: Ig. Andante comodo. Wie von Anfang
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: If. Andante comodo. Bewegter
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: Ie. Andante comodo. Schattenhaft
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: Id. Andante comodo. Mit Wut, allegro risoluto
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: Ic. Andante comodo. Plötzlich sehr mäßig und zurückhaltend
Mahler Academy Orchestra & Philipp von Steinaecker
Symphony No. 9 in D Major: Ib. Andante comodo. Etwas frischer
Mahler Academy Orchestra & Philipp von Steinaecker
The Messiah, HWV 56: Pt. 3 No. 51, Worthy Is the Lamb That Was Slain (Chorus) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker & Musica Saeculorum
The Messiah, HWV 56: Pt. 3 No. 50, If God Be for Us (Alto) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker, Musica Saeculorum & Kristina Hammarström
The Messiah, HWV 56: Pt. 3 No. 49, O Death, Where Is Thy Sting (Alto, Tenor) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker, Musica Saeculorum, Kristina Hammarström & Daniel Johannsen
The Messiah, HWV 56: Pt. 3 No. 48, Then Shall Be Brought to Pass (Alto) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker, Musica Saeculorum & Kristina Hammarström
The Messiah, HWV 56: Pt. 3 No. 47, Behold, I Tell You a Mystery (Bass) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker, Musica Saeculorum & Dominik Wörner
The Messiah, HWV 56: Pt. 3 No. 46, Behold, I Tell You a Mystery (Bass) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker & Musica Saeculorum
The Messiah, HWV 56: Pt. 3 No. 45, Since By Man Came Death (Chorus) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker & Musica Saeculorum
The Messiah, HWV 56: Pt. 3 No. 44, I Know That My Redeemer Liveth (Soprano) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker, Musica Saeculorum & Ruby Hughes
The Messiah, HWV 56: Pt. 2 No. 43, Hallelujah! (Chorus) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker & Musica Saeculorum
The Messiah, HWV 56: Pt. 2 No. 42, Thou Shalt Break Them (Tenor) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker, Musica Saeculorum & Daniel Johannsen
The Messiah, HWV 56: Pt. 2 No. 41, He That Dwelleth In Heaven (Tenor) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker, Musica Saeculorum & Daniel Johannsen
The Messiah, HWV 56: Pt. 2 No. 40, Let Us Break Their Bonds Asunder (Chorus) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker & Musica Saeculorum
The Messiah, HWV 56: Pt. 2 No. 39, Why Do the Nations So Furiously Rage (Bass) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker, Musica Saeculorum & Dominik Wörner
The Messiah, HWV 56: Pt. 2 No. 38, Their Sound Is Gone Out Into All Lands (Chorus) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker & Musica Saeculorum
The Messiah, HWV 56: Pt. 2 No. 37, How Beautiful Are the Feet of Them (Soprano) [Live at Cathedral of Brixen, 08/28/2009]
Philipp von Steinaecker, Musica Saeculorum & Ruby Hughes