Jill Gomez Song List
Lieder und Gesänge aus der Jugendzeit: No. 14, Selbstgefühl
Jill Gomez, Bournemouth Sinfonietta & John Carewe
Lieder und Gesänge aus der Jugendzeit: No. 9, Starke Einbildungskraft
Jill Gomez, Bournemouth Sinfonietta & John Carewe
Lieder und Gesänge aus der Jugendzeit: No. 13, Nicht wiedersehen!
Jill Gomez, Bournemouth Sinfonietta & John Carewe
Lieder und Gesänge aus der Jugendzeit: No. 11, Ablösung im Sommer
Jill Gomez, Bournemouth Sinfonietta & John Carewe
Lieder und Gesänge aus der Jugendzeit: No. 10, Zu Straßburg auf der Schanz'
Jill Gomez, Bournemouth Sinfonietta & John Carewe
Lieder und Gesänge aus der Jugendzeit: No. 3, Hans und Grete
Jill Gomez, Bournemouth Sinfonietta & John Carewe
Lieder und Gesänge aus der Jugendzeit: No. 1, Fruhlingsmorgen
Jill Gomez, Bournemouth Sinfonietta & John Carewe
Cantiga, Op. 45: II. High on the Border with Castile
Jill Gomez, Bournemouth Sinfonietta & John Carewe
Cantiga, Op. 45: I. I Have Almost Forgotten the Beginning of Love...
Jill Gomez, Bournemouth Sinfonietta & John Carewe
The Knot Garden, Act III "Charade": "Ugh-Ugh-Ugh. -Whatever Is That?"
Thomas Carey, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Jill Gomez, Thomas Hemsley & Robert Tear
The Knot Garden, Act I "Confrontation": "Ca - Ca - Caliban"
Robert Tear, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Thomas Carey, Yvonne Minton, Thomas Hemsley, Raimund Herincx & Jill Gomez
The Knot Garden, Act III "Charade": "And What Are You, Mangus?"
Yvonne Minton, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Thomas Hemsley, Jill Gomez & Raimund Herincx
The Knot Garden, Act III "Charade": "Goodbye Island: Goodbye Cave"
Jill Gomez, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Thomas Hemsley, Raimund Herincx, Robert Tear & Thomas Carey
The Knot Garden, Act I "Confrontation": "So, If I Dream"
Thomas Hemsley, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Yvonne Minton & Jill Gomez
The Knot Garden, Act II "Labyrinth": "Flora: Flora, Love; Stop Crying"
Robert Tear, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden & Jill Gomez
The Knot Garden, Act I "Confrontation": "If You Think We're Waxworks, You Ought To Play"
Robert Tear, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Thomas Carey & Jill Gomez
The Knot Garden, Act I "Confrontation": "Do, Do Not, Do Not Torment Me"
Thomas Carey, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Robert Tear, Jill Gomez, Raimund Herincx, Yvonne Minton & Josephine Barstow
The Knot Garden, Act III "Charade": "Enough! Enough!"
Thomas Hemsley, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Robert Tear, Thomas Carey, Raimund Herincx, Yvonne Minton, Jill Gomez & Josephine Barstow
The Knot Garden, Act II "Labyrinth": "Fear! What Do I Fear?"
Yvonne Minton, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Josephine Barstow, Raimund Herincx, Jill Gomez, Robert Tear & Thomas Carey
The Knot Garden, Act I "Confrontation": "You Can Pick Roses"
Yvonne Minton, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden & Jill Gomez
Cantiga, Op. 45: No. 2, High on the Border with Castile
Jill Gomez, Bournemouth Sinfonietta & John Carewe
Pelléas et Mélisande, Op. 80: III. Lento (The King's Three Blind Daughters)
Jill Gomez, David Zinman & Rotterdam Philharmonic Orchestra
Powder Her Face (an Opera in two acts) Op.14, Act II, Ghost Epilogue: Enough...Or too much! (Maid/Electrician)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: Broken. It's broken (Duchess/Hotel Manager)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: That will do. You may go (Duchess)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: Agh - Who are you? (Duchess/Hotel Manager)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7: Nineteen seventy: Interlude Fifty-eight, seventy-nine (Duchess)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7: Nineteen seventy: Ah! None left (Duchess/Society Journalist/Delivery Boy)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7: Nineteen seventy: I'd like to make one thing entirely clear
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Interlude (Orchestra)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: So that is all (Duchess/Rubberneckers)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Did you hear - What he said? (Rubberneckers)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: But now I have heard something new (Judge)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Order. Silence
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Did she?...Of course she did (Rubberneckers)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Ha ha ha ha...(Paper chase) (Mistress/Duke)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Are you saying the Duchess is a whore?
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy?
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: Interlude (Orchestra)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: Come here (Duchess/Waiter)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: What have you got there?
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: ...mm..ah!...Room service?
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: Interlude - Scene 4: Nineteen fifty-three ...mm...ah!...How may I help you? (Duchess/Laundryman/Other Guest)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: Fancy, fancy being rich (Waitress)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: Interlude (Orchestra)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: I hear him coming (Pantomime) (Duchess/Confidante/Lounge Lizard/Duke)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: I could never grow bored of dukedoms (Confidante/Lounge Lizard/Duchess)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: Of course she's done well
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Interlude (Orchestra)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Take it from me (Duchess/Electrician/Maid)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: I see. This is what it has come to
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Oo, aa! ha ha ha ha ha (Maid/Electrician)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I: Overture (Orchestra)
Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson
Aria: Chi è nato alle sventure
René Jacobs, Rachel Yakar, Rita Dams, Jill Gomez, Max van Egmond, Alan Curtis, Il Complesso Barocco & James Bowman
Admeto, re di Tessaglia, ACT 2, Scene 4: Antigona: Aria: E per monti, e per piano, e per selve
Rachel Yakar, Rene Jacobs, Jill Gomez, Max van Egmond, Rita Dams, Alan Curtis, Il Complesso Barocco, Ulrik Cold & James Bowman
Admeto, re di Tessaglia, ACT 2, Scene 4: Antigona: Recitativo: Per me si strugge Trasimede, o Dio
Rachel Yakar, Rene Jacobs, Jill Gomez, Max van Egmond, Rita Dams, Alan Curtis, Il Complesso Barocco, Ulrik Cold & James Bowman
Admeto, re di Tessaglia (1997 Remastered Version), ACT 2, Scene 5: Orindo/Admeto: Aria: Sparite, o pensieri
Rachel Yakar, Rita Dams, Jill Gomez, Max van Egmond, Il Complesso Barocco & Alan Curtis
Admeto, re di Tessaglia (1997 Remastered Version), ACT 1, Scene 9: Trasimede/Meraspe/Antigona: Aria: Se l'arco avessi, e i strali
Rachel Yakar, Rita Dams, Jill Gomez, Max van Egmond, Il Complesso Barocco & Alan Curtis
Aria: Ah, si morrò
René Jacobs, Rachel Yakar, Rita Dams, Jill Gomez, Max van Egmond, Alan Curtis, Il Complesso Barocco & James Bowman
Admeto, re di Tessaglia (1997 Remastered Version), ACT 1, Scene 3: Orindo/Admeto/Alceste/La Statua (Apollo): Aria: Luci care, addio, posate!
René Jacobs, Rachel Yakar, Rita Dams, Jill Gomez, Max van Egmond, Il Complesso Barocco, Alan Curtis & James Bowman
Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 22. Suscepit Israel
Monteverdi Choir, John Eliot Gardiner, Jill Gomez, Felicity Palmer, Nicholas Kraemer, Malcolm Hicks, Alastair Ross, Robert Spencer & Jennifer Ward Clarke
Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 14. Magnificat: Magnificat
Monteverdi Choir, Monteverdi Orchestra, John Eliot Gardiner, Jill Gomez & Philip Jones Brass Ensemble
Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 13. Hymnus: Ave Maria stella
Monteverdi Choir, Monteverdi Orchestra, John Eliot Gardiner, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, Salisbury Cathedral Boys' Choir, Philip Jones Brass Ensemble & David Munrow Recorder Ensemble
Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 7. Psalmus 121: Laetatus sum
Monteverdi Choir, Monteverdi Orchestra, John Eliot Gardiner, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon & Philip Jones Brass Ensemble
Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 6. Concerto: Pulchra es
John Eliot Gardiner, Jill Gomez, Felicity Palmer, Nicholas Kraemer, Malcolm Hicks, Alastair Ross, Robert Spencer & Jennifer Ward Clarke
Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 5. Psalmus 112: Laudate, pueri, Dominum
Monteverdi Choir, Monteverdi Orchestra, John Eliot Gardiner, Jill Gomez, Felicity Palmer, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon & Philip Jones Brass Ensemble