Choir of the Age of Enlightenment Song List
Come ye sons of art, Z. 323 'Ode for Queen Mary' (excerpts)
Gustav Leonhardt, Orchestra of the Age of Enlightenment, Choir of the Age of Enlightenment, Christopher Robson, David Wilson-Johnson, James Bowman & Julia Gooding
Was mir behagt, ist nur die muntre Jagd, BWV 208: XI. Lebe, Sonne dieser Erden (Coro)
Gustav Leonhardt, Choir & Orchestra of the Age of Enlightenment
Was mir behagt, ist nur die muntre Jagd, BWV 208: XV. Ihr lieblichste Blicke (Coro)
Gustav Leonhardt, Choir & Orchestra of the Age of Enlightenment
Preise dein Glücke, gesegnetes Sachsen, BWV 215: IX. Stifter der Reiche (Coro)
Gustav Leonhardt, Choir & Orchestra of the Age of Enlightenment
Preise dein Glücke, gesegnetes Sachsen, BWV 215: I. Preise dein Glücke (Coro)
Gustav Leonhardt, Choir & Orchestra of the Age of Enlightenment
Geschwinde, geschwinde, ihr wirbelnden Winde Cantata, BWV 201: Coro: "Labt das Herz, ihr holden Saiten"
Gustav Leonhardt, Choir of the Age of Enlightenment & Orchestra of the Age of Enlightenment
Geschwinde, geschwinde, ihr wirbelnden Winde Cantata, BWV 201: Coro: "Geschwinde, ihr wirbelnden Winde"
Gustav Leonhardt, Choir of the Age of Enlightenment & Orchestra of the Age of Enlightenment
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Appendix: No. 16 Terzetto: E voi ridete? (Don Alfonso/Ferrnado/Guglielmo)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Appendix: No. 15a Aria (alternative): Rivolgete a lui lo sguardo (Guglielmo)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena quarta/Scene Four/Vierte Szene/Quatrième Scène: No. 31 Finale: Fate presto, o cari amici (Tutti)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Vittoria, padroncini! (Despina/Ferrando/Guglielmo/Don Alfonso)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 30 Andante: Tutti, accusan le donne (Don Alfonso/Ferrando/Guglielmo)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Ah poveretto me, cosa ho veduto! (Guglielmo/Don Alfonso/Ferrando)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 29 Duetto: Fra gli amplessi in pochi istanti (Fiordiligi/Ferrando)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Come tutto conguira a sedurre il mio cor! (Fiordiligi/Despina/Don Alfonso)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 28 Aria: E amore un ladroncello (Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Ora vedo che siete una donna di garbo (Despina/Dorabella/Fiordiligi)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Bravo, questa è costanza (Don Alfonso/Ferrando/Guglielmo)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 27 Cavatina: Tradito, schernito dal perfido cor (Ferrando)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: In qual fiero contrasto, in qual disordine (Ferrando)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 26 Aria: Donne mie, la fate a tanti a tanti (Guglielmo)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Amico, abbiamo vinto! (Ferrando/Guglielmo)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 24 Rondò: Per pietà, ben mio, perdona (Fiordiligi)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Ei parte ... Senti ... Ah no! (Fiordiligi)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 24 Aria: Ah, lo veggio: quell'anima bella (Ferrando)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Barbara, perché fuggi? (Ferrando/Fiordiligi)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 23 Duetto: Il core vi domo (Guglielmo/Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Oh, che bella giornata! (Fiordiligi/Ferrando/Dorabella/Guglielmo)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 22 Quartetto: La mano a me date (Don Alfonso/Ferrando/Guglielmo/Despina)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Il tutto deponete sopra quei tavolini (Ferrando/Guglielmo/Don Alfonso/Despina)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 21 Duetto con coro: Secondate, aurette amiche (Ferrando/Guglielmo/Coro)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Ah, correte al giardino (Don Alfonso/Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena prima/Scene One/Erste Szene/Première Scène: No. 20 Duetto: Prenderò quel brunettino (Fiordiligi/Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena prima/Scene One/Erste Szene/Première Scène: Recitativo: Sorella, cosa dici? (Fiordiligi/Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena prima/Scene One/Erste Szene/Première Scène: No. 19 Aria: Una donna a quindici anni (Despina)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena prima/Scene One/Erste Szene/Première Scène: Recitativo: Andate là, che siete due bizzarre ragazze! (Despina/Fiordiligi/Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena quarta/Scene Four/Vierte Szene/Quatrième Scène: No. 18 Finale: Ah, che tutto in un momento (Fiordiligi/Dorabella/Ferrando/Guglielmo/Don Alfonso)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Oh, la saria da ridere! (Don Alfonso/Despina)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 17 Aria: Un'aura amorosa del nostro tesoro (Ferrando)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Si può sapere un poco (Don Alfonso/Guglielmo/Ferrando)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 16 Terzetto: E voi ridete? (Don Alfonso/FerrandoGuglielmo)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 15 Aria: Non siate ritrosi, occhietti vezzosi (Guglielmo)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Ah, non partite! (Ferrando/Guglielmo/Don Alfonso/Dorabella/Fiordiligi)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 14 Aria: Come scoglio immoto resta (Fiordiligi)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Che sussurro! Che sprepito! (Don Alfonso/Dorabella/Fiordiligi/Ferrando/Guglielmo/Despina)
Alison Hagley, Hillevi Martinpelto, Ann Murray, Gerald Finley, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 13 Sestetto: Alla bella Despinetta (Don Alfonso/Ferrando/Guglielmo/Despina/Fiordiligi/Dorabella)
Gerald Finley, Ann Murray, Hillevi Martinpelto, Alison Hagley, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Che silenzio! Che aspetto di tristezza (Don Alfonso/Despina)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 12 Aria: In uomini, in soldati sperare fedeltà (Despina)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Signora Dorabella, Signora Fiordiligi (Despina/Dorabella/Fiordiligi)
Alison Hagley, Gerald Finley, Hillevi Martinpelto, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 11 Aria: Smanie implacabili che m'agitate (Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Ah scostati! (Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Che vita maledetta (Despina/Fiordiligi/Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Non son cattivo comico! (Don Alfonso)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte, K.588, Act I, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 10 Terzettino: Soave sia il vento (Fiordiligi/Dorabella/Don Alfonso)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Dove son? ... Son partiti (Dorabella/Don Alfonso/Fiordiligi)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 9 Coro: Bella vita militar! (Coro)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 8a Quintetto: Di scrivermi ogni giorno (Fiordiligi/Dorabella/Ferrando/Guglielmo/Don Alfonso)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Non v'è più tempo amici (Don Alfonso/Fiordiligi/Dorabella/Ferrando/Guglielmo)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 8 Coro: Bella vita militar! (Coro)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: La commedia è graziosa (Don Alfonso/Ferrando/Fiordiligi/Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 7 Duettino: Al fato dan legge (Ferrando/Guglielmo)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Non piangere, idol mio (Guglielmo/Ferrando/Don Alfonso/Fiordiligi/Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 6 Quintetto: Sento, o Dio, che questo piede (Guglielmo/Ferrando/Don Alfonso/Fiordiligi/Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Stelle! Per carità, Signor Alfonso (Fiordiligi/Don Alfonso/Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 5 Aria: Vorrei dir, e cor non ho (Don Alfonso)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Mi par, che stamattina volentieri farei la pazzarella (Fiordiligi/Dorabella/Don Alfonso)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 4 Duetto: Ah guarda, sorella (Fiordiligi/Dorabella)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena prima/Scene One/Erste Szene/Première Scène: No. 3 Terzetto: Una bella serenata (Ferrando/Guglielmo/Don Alfonso)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena prima/Scene One/Erste Szene/Première Scène: Recitativo: Scioccherie di poeti! (Ferrando/Guglielmo/Don Alfonso)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena prima/Scene One/Erste Szene/Première Scène: No. 2 Terzetto: E la fede delle femmine (Don Alfonso/Ferrando/Guglielmo)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena prima/Scene One/Erste Szene/Première Scène: Recitativo: Fuor la spada! (Guglielmo/Don Alfonso/Ferrando)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena prima/Scene One/Erste Szene/Première Scène: No. 1 Terzetto: La mia Dorabella capace non è (Ferrando/Guglielmo/Don Alfonso)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte, K.588: Ouvertura (Orchestra)
Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Laßt uns sorgen, laßt us wachen, BWV 213: I. Laßt uns sorgen, laßt uns wachen (Chor)
Gustav Leonhard & Choir and Orchestra of the Age of Enlightenment
Laßt uns sorgen, laßt us wachen, BWV 213: XIII. Lust der Völker (Chor und Arioso)
David Wilson-Johnson, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Gustav Leonhardt
Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio): 6. Choral: "Nun lieget alles unter dir"
Orchestra of the Age of Enlightenment, Choir of the Age of Enlightenment & Gustav Leonhardt
Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio): 9. Choral: "Wenn soll es doch geschehen"
Orchestra of the Age of Enlightenment, Choir of the Age of Enlightenment & Gustav Leonhardt
Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio): 1. Chor: "Lobet Gott in seinen Reichen"
Orchestra of the Age of Enlightenment, Choir of the Age of Enlightenment & Gustav Leonhardt
Kommt, eilet und laufet (Easter Oratorio), BWV 249: 10. Chorus (Chor der Gläubigen) "Preis und Dank bleibe"
Orchestra of the Age of Enlightenment, Choir of the Age of Enlightenment & Gustav Leonhardt
Kommt, eilet und laufet (Easter Oratorio), BWV 249: 2. Duetto (& Chorus) "Kommt, eilet und laufet"
David Wilson-Johnson, Christoph Prégardien, Orchestra of the Age of Enlightenment, Choir of the Age of Enlightenment & Gustav Leonhardt
"Tönet, ihr Pauken! Erschallet, Trompeten!" Cantata, BWV 214: 1. "Tönet, ihr Pauken!"
Gustav Leonhardt, Choir & Orchestra of the Age of Enlightenment
"Tönet, ihr Pauken! Erschallet, Trompeten!" Cantata, BWV 214: 9. "Blühet, ihr Linden"
Gustav Leonhardt, Choir & Orchestra of the Age of Enlightenment
Zerreißet, zersprenget, zertrümmert die Gruft Dramma per musica, BWV 205: 1. Coro: "Zerreisset, zersprenget, zertrümmert die Gruft"
Gustav Leonhardt, Choir & Orchestra of the Age of Enlightenment
Zerreißet, zersprenget, zertrümmert die Gruft Dramma per musica, BWV 205: 15. Coro: "Vivat August"
Gustav Leonhardt, Choir & Orchestra of the Age of Enlightenment
Ode for Queen Mary: Come ye sons of art Z323: Strike the viol, touch the lute
Julia Gooding, Howard Crook, David Wilson-Johnson, Choir of the Age of Enlightenment, Choir And Orchestra Of The Age Of Enlightenment, Orchestra of the Age of Enlightenment & Gustav Leonhardt
Ode for Queen Mary: Come ye sons of art Z323: Sound the trumpet, sound, till around
Julia Gooding, Howard Crook, David Wilson-Johnson, Choir of the Age of Enlightenment, Choir And Orchestra Of The Age Of Enlightenment, Orchestra of the Age of Enlightenment & Gustav Leonhardt
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 9, Duet and Chorus. "See Nature Rejoicing"
David Wilson-Johnson, Choir of the Age of Enlightenment, Gustav Leonhardt, Orchestra of the Age of Enlightenment & Julia Gooding
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6, Aria and Chorus. "The Day That Such a Blessing Gave"
David Wilson-Johnson, Choir of the Age of Enlightenment, Gustav Leonhardt & Orchestra of the Age of Enlightenment
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 4, Chorus. "Come Ye Sons of Art Away"
Choir of the Age of Enlightenment, Gustav Leonhardt & Orchestra of the Age of Enlightenment
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2, Aria and Chorus. "Come Ye Sons of Art Away"
Choir of the Age of Enlightenment, Gustav Leonhardt, James Bowman & Orchestra of the Age of Enlightenment
Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 8, Chorus. "May She to Heaven Late Return"
Choir of the Age of Enlightenment, Gustav Leonhardt & Orchestra of the Age of Enlightenment
Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 11, Chorus. "Now, Now, with One United Voice"
Choir of the Age of Enlightenment, Gustav Leonhardt & Orchestra of the Age of Enlightenment
Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 5, Chorus. "Now Does the Glorious Day Appear"
Choir of the Age of Enlightenment, Gustav Leonhardt & Orchestra of the Age of Enlightenment