Mary Bevan Song List
Jephtha, Pt. 2: No. 40, Here Let Me Hold Thee to My Heart
Andrew Staples, Mary Bevan, Early Opera Company & Christian Curnyn
Jephtha, Pt. 2: No. 38, Let Me Awhile Defer My Fate
Mary Bevan, Early Opera Company & Christian Curnyn
Jephtha, Pt. 2: No. 37, Can Heav'n Delight in Guiltless Blood?
Andrew Staples, Mary Bevan, Early Opera Company & Christian Curnyn
Jephtha, Pt. 2: No. 31, O Blot Me from Thy Mind
Mary Bevan, Andrew Staples, Early Opera Company & Christian Curnyn
Jephtha, Pt. 2: No. 29, O Speak, Disclose My Doom, I Stand Prepar'd
Mary Bevan, Andrew Staples, Early Opera Company & Christian Curnyn
Jephtha, Pt. 2: No. 25, What Do I See, O Heav'n?
Andrew Staples, Mary Bevan, Early Opera Company & Christian Curnyn
Jephtha, Pt. 2: No. 24, Awake, Awake Each Joyful Strain
Mary Bevan, Jessica Cale, Early Opera Company & Christian Curnyn
Geheimes, Op. 14 No. 2, D. 719 (Arr. for Voice & Orchestra by Johannes Brahms)
Mary Bevan, City of Birmingham Symphony Orchestra & Edward Gardner
Im Abendrot, D. 799 (Arr. for Voice & Orchestra by Max Reger)
Mary Bevan, City of Birmingham Symphony Orchestra & Edward Gardner
Rosamunde, D. 797: IIIb. Romanze. Der Vollmond strahlt auf Bergeshöh'n
Mary Bevan, City of Birmingham Symphony Orchestra & Edward Gardner
Die Forelle, Op. 32, D. 550 (Arr. for Voice & Orchestra by Benjamin Britten)
Mary Bevan, City of Birmingham Symphony Orchestra & Edward Gardner
Erlkönig, Op. 1, D. 328 (Arr. for Voice & Orchestra by Hector Berlioz)
Mary Bevan, City of Birmingham Symphony Orchestra & Edward Gardner
I’ll See You Again / Dance Little Lady / Poor Little Rich Girl / A Room With A View / Someday I’ll Find You / I’ll Follow My Secret Heart / If Love Were All / Play Orchestra Play
Mary Bevan, Nicky Spence & Joseph Middleton
Serse, HWV 40, Act III: Aria. No, no, se tu mi sprezzi (Atalanta)
Mary Bevan, The English Concert & Harry Bicket
Serse, HWV 40, Act III: Recitativo. Sono vani (Arsamene, Romilda, Atalanta, Elviro)
Lucy Crowe, The English Concert, Harry Bicket, Paula Murrihy, Mary Bevan & William Dazeley
Serse, HWV 40, Act II: Recitativo. V’inchino (Atalanta, Serse)
Emily D'Angelo, The English Concert, Harry Bicket & Mary Bevan
Serse, HWV 40, Act II: Aria. Dirà che non m’amò (Atalanta)
Mary Bevan, The English Concert & Harry Bicket
Serse, HWV 40, Act II: Recitativo. Voi quel foglio lasciate (Serse, Atalanta)
Emily D'Angelo, The English Concert, Harry Bicket & Mary Bevan
Serse, HWV 40, Act II: Aria. Dirà che amor (Atalanta)
Mary Bevan, The English Concert & Harry Bicket
Serse, HWV 40, Act II: Recitativo. Di quel foglio (Serse, Atalanta)
Emily D'Angelo, Mary Bevan, The English Concert & Harry Bicket
Serse, HWV 40, Act II: Recitativo. Parti, il re s’avvicina (Atalanta, Elviro)
Mary Bevan, William Dazeley, The English Concert & Harry Bicket
Serse, HWV 40, Act II: Arioso e Recitativo. A piangere ogn’ora (Atalanta, Elviro)
Mary Bevan, William Dazeley, The English Concert & Harry Bicket
Serse, HWV 40, Act I: Aria. Un cenno leggiadretto (Atalanta)
Mary Bevan, The English Concert & Harry Bicket
Serse, HWV 40, Act I: Recitativo. Per rapir quel tesoro (Atalanta)
Mary Bevan, The English Concert & Harry Bicket
Serse, HWV 40, Act I: Recitativo. Al fin sarete (Atalanta, Romilda)
Mary Bevan, Lucy Crowe, The English Concert & Harry Bicket
Serse, HWV 40, Act I: Aria. Sì, sì, mio ben (Atalanta)
The English Concert, Harry Bicket & Mary Bevan
Serse, HWV 40, Act I: Recitativo. Arsamene (Romilda, Arsamene, Atalanta)
Lucy Crowe, Paula Murrihy, Mary Bevan, The English Concert & Harry Bicket
Sérénades (Version for Voice & Piano Quintet): V. Sérénade de toujours
Mary Bevan, Joseph Middleton & Ruisi Quartet
Sérénades (Version for Voice & Piano Quintet): IV. Sérénade d’Hiver
Mary Bevan, Joseph Middleton & Ruisi Quartet
Sérénades (Version for Voice & Piano Quintet): III. Sérénade d’Automne
Mary Bevan, Joseph Middleton & Ruisi Quartet
Sérénades (Version for Voice & Piano Quintet): II. Sérénade d’Été
Mary Bevan, Joseph Middleton & Ruisi Quartet
Sérénades (Version for Voice & Piano Quintet): I. Sérénade printanière
Mary Bevan, Joseph Middleton & Ruisi Quartet
Quatre mélodies de Verlaine, L. 85 (Arr. for Soprano and Piano Quintet by Robin Holloway): IV. L’échelonnement des haies
Mary Bevan, Joseph Middleton & Ruisi Quartet
Quatre mélodies de Verlaine, L. 85 (Arr. for Soprano and Piano Quintet by Robin Holloway): III. Le son du cor s’afflige
Mary Bevan, Joseph Middleton & Ruisi Quartet
Quatre mélodies de Verlaine, L. 85 (Arr. for Soprano and Piano Quintet by Robin Holloway): II. Mandoline
Mary Bevan, Joseph Middleton & Ruisi Quartet
Quatre mélodies de Verlaine, L. 85 (Arr. for Soprano and Piano Quintet by Robin Holloway): I. La mer est plus belle
Mary Bevan, Joseph Middleton & Ruisi Quartet
Un grand sommeil noir (Arr. for Soprano, Piano & Ensemble by Robin Holloway): III. Si morne
Mary Bevan, 12 Ensemble & Joseph Middleton
Un grand sommeil noir (Arr. for Soprano, Piano & Ensemble by Robin Holloway): II. Un grand sommeil noir
Mary Bevan, 12 Ensemble & Joseph Middleton
Un grand sommeil noir (Arr. for Soprano, Piano & Ensemble by Robin Holloway): I. Les grands vents venus d’outre-mer
Mary Bevan, 12 Ensemble & Joseph Middleton
9 German Arias: Süße Stille, sanfte Quelle, HWV 205
Davina Clarke, Mary Bevan & The Davina Clarke Ensemble
9 German Arias: In den angenehmen Büschen, HWV 209
Davina Clarke, Mary Bevan & The Davina Clarke Ensemble
9 German Arias: Künft’ger Zeiten eitler Kummer, HWV 202
Davina Clarke, Mary Bevan & The Davina Clarke Ensemble
9 German Arias: Singe, Seele, Gott zum Preise, HWV 206
Davina Clarke, Mary Bevan & The Davina Clarke Ensemble
9 German Arias: Flammende Rose, Zierde der Erden, HWV 210
Davina Clarke, Mary Bevan & The Davina Clarke Ensemble
9 German Arias: Süßer Blumen Ambraflocken, HWV 204
Davina Clarke, Mary Bevan & The Davina Clarke Ensemble
9 German Arias: Das zitternde Glänzen der spielenden Wellen, HWV 203
Davina Clarke, Mary Bevan & The Davina Clarke Ensemble
9 German Arias: Die ihr aus dunklen Grüften, HWV 208
Davina Clarke, Mary Bevan & The Davina Clarke Ensemble
Amadigi di Gaula, HWV 11, Act 1 Scene 4: Aria "Ah! spietato! e non ti muove"
Mary Bevan, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 1 Scene 3: Recitativo "E tu cerchi fuggir? perfido, ingrato!"
Mary Bevan, Tim Mead, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 1 Scene 4: Recitativo "Il crudel m"abbandona, e mi detesta"
Mary Bevan, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 1 Scene 8: Aria "Io godo, scherzo e rido"
Mary Bevan, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 1 Scene 8: Recitativo "Cieli! Numi! che miro?"
Tim Mead, Hilary Summers, Mary Bevan, Anna Dennis, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 2 Scene 10: Aria "Desterò dall"empia dite"
Mary Bevan, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 2 Scene 10: Recitativo "Mi deride l"amante"
Mary Bevan, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 2 Scene 2: Recitativo "Svenne Amadigi dal suo duolo oppresso"
Mary Bevan, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 2 Scene 4: Recitativo "Dunque colei, da cui"
Tim Mead, Mary Bevan, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 2 Scene 6: Aria "Se tu brami di godere"
Mary Bevan, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 2 Scene 6: Recitativo "Arresta, oh Prence!"
Mary Bevan, Hilary Summers, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 2 Scene 8 / 9: Recitativo "Ma qui il rival!" –"Cieli! Numi! soccorso, astri crudeli!"
Hilary Summers, Mary Bevan, Anna Dennis, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 3 Scene 2: Aria "Vanne lungi dal mio petto"
Mary Bevan, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 3 Scene 2: Recitativo "Sento, né so che sia"
Mary Bevan, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 3 Scene 3: Recitativo "No, no! ho già risolto"
Mary Bevan, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 3 Scene 3: Recitativo "Se t"offese Oriana"
Anna Dennis, Tim Mead, Mary Bevan, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 3 Scene 5: Accompagnato ed Arioso "Addio, crudo Amadigi!"
Mary Bevan, Early Opera Company & Christian Curnyn
Amadigi di Gaula, HWV 11, Act 3 Scene 5: Recitativo "Cieli! ingiusti e inclementi!"
Mary Bevan, Anna Dennis, Tim Mead, Early Opera Company & Christian Curnyn
9 German Arias: Meine Seele hört im Sehen, HWV 207
Davina Clarke, Mary Bevan & The Davina Clarke Ensemble